Geta Brătescu  September 27, 2018 – January 25, 2019 – Rumänisches Kulturinstitut Berlin

Geta Brătescu September 27, 2018 – January 25, 2019 – Rumänisches Kulturinstitut Berlin

Geta Brătescu

September 27, 2018 – January 25, 2019

https://www.nbk.org/en/ausstellungen/showroom.html

Opening: Wednesday, September 26, 6pm

Curator: Magda Radu

Geta Brătescu, who is based in Bucharest, is considered one of the most important conceptual artists in Eastern Europe and beyond. The intellectual complexity and the vastness of references, as well as the diversity of means of expression and themes that manifest in her practice transcend preexisting boundaries and discourses. Under the socialist rule, Geta Brătescu carved out autonomous spaces and affirmed her independence vis-à-vis a stifling, conformist and repressive social system. However, she did not act underground or in isolation from other artistic circles but with reference to contemporary developments in culture. Neuer Berliner Kunstverein now presents Geta Brătescu‘s first solo exhibition in a Berlin institution. It encompasses historical and new works by Geta Brătescu as well as a film about her creative work produced by the artist in collaboration with Ștefan Sava.

The focus of the exhibition is the artist’s engagement with the studio, which is central to Brătescu’s oeuvre. For her, the studio represents a space of interiority and concentration that is transformed into a mythical territory through artistic processes. The artist has often depicted her incessant self-exploration in the figure of the bird, the multiple incarnations of this motif can be found in several works selected in the exhibition. The depictions of the bird are balancing at the limit between representation and non-representation, between the visible and the invisible, for example in drawings made by the artist with her eyes closed. The figure of the bird in particular stands for the self-liberation as an artist and female subject.

The diverse oeuvre of Geta Brătescu includes drawings, collages made of fabric and paper, graphic works, performances, experimental films and photographs as well as objects and spatial installations. In the artist’s avant-garde work the boundaries between art and life are blurred; at the center of her works are questions regarding female subjectivity and gender, cultural and personal memory, and a permanent examination of the limits of creative expression. Since the 1990s, she has been working consistently on the formulation of an increasingly diverse artistic vocabulary and continually expanding her experiments with drawing and collage by various durational and performative components.

Geta Brătescu’s works have been shown internationally in numerous solo and group exhibitions, including Documenta, Athens and Kassel (2017); Hamburger Kunsthalle (2016); Tate Modern, Liverpool (2015); Venice Biennale (2017; 2013; 1983; 1960); La Triennale, Paris (2012); Tate Modern, London (2012); National Museum of Contemporary Art Bucharest (2012); Istanbul Biennial (2011); New Museum, New York (2011); São Paulo Biennial (1987; 1983).

Public Program
Wednesday, October 31, 7 pm
Curators Talk
with Magda Radu (curator and art historian, Salonul de proiecte, Bucharest)
and Brigitte Kölle (curator and art historian, director of the Gallery of Contemporary Art at Hamburger Kunsthalle)
Venue: Rumänisches Kulturinstitut Berlin, Reinhardtstr. 14, 10117 Berlin, Hall 2, Entrance D
In English language
Free admission

Previous DOUG AITKEN - SONG 1 - 29.06.2018 – 30.12.2018
Next The Most Dangerous Game - The Situationist International en route for May ’68 2018, Sep 27, Thu — 2018, Dec 10, Mon

About author

You might also like

Events

GLOBAL PERSPECTIVES ON VISUAL VOCABULARY

http://protocollum.org/ Berlin-based DICKERSBACH KUNSTVERLAG presents the second issue of PRŌTOCOLLUM, an annually published artists’ journal dedicated to non-Western contemporary visual artists, art narratives and art history. Honouring its motto Global Perspectives

Events

Feedback Loops / 7 Dec 2019 – 22 Mar 2020

https://acca.melbourne/exhibition/feedback-loops/ ACCA’s summer season exhibition Feedback Loops presents six immersive installations that explore the material and digital worlds of our past, present and speculative futures. Populated by characters and conceptualisations

Events

Group Exhibition – Blackness in Abstraction – Jun 24, 2016 – Aug 19, 2016

LIVING LABOR: ABSTRACTION & EXCESS from women & performance on Vimeo. http://www.pacegallery.com/ PACE 510 West 25th Street New York NY 10001 Tel: 212.255.4044 Fax: 212.659.0096 Mon-Thu10-6, Fri 10-4   New York—Pace