The Revolution Will Not Be Gray – Jul 1 – Oct 16 2016 – Aspen Art Museum
https://www.aspenartmuseum.org/exhibitions/81-the-revolution-will-not-be-gray
Jul 1-Oct 16
Aspen Art Museum
637 East Hyman Avenue
Aspen, Colorado 81611
t: 970.925.8050
f: 970.925.8054
info@aspenartmuseum.org
The Revolution Will Not Be Gray presents a selection of works that look both backward and forward at the shifting terrain of revolution, protest, and gestures of refusal. Examining the impetus to observe the world in strictly black-and-white terms, the exhibition reveals an intricate set of histories, politics, and identities, reminding us of the inherent power in the human voice. Featuring work by Andrea Bowers, Abraham Cruzvillegas, Claire Fontaine, Sharon Hayes, Iman Issa, Tony Lewis, Glenn Ligon, Carlos Motta, Pedro Reyes, Adam Pendleton, and Carey Young.
AAM exhibitions are made possible by the Marx Exhibition Fund. General exhibition support is provided by the Toby Devan Lewis Visiting Artist Fund.
The Revolution Will Not Be Gray is supported by the Diane and Bruce Halle Foundation for Latin American Art, the Etkin Family Digital Media and Moving Image Fund, and funded in part by the AAM National Council.
About author
You might also like
untitled 2019 (the form of the flower is unknown to the seed) 7 June 2019 – 6 June 2020
https://www.ica.art/exhibitions/untitled-2019 The Institute of Contemporary Arts is proud to present a newly commissioned permanently sited work by Rirkrit Tiravanija. 7 June 2019 – 6 June 2020 Tiravanija is known for
kepes fellowship/ mq artist in residence/ summer academy salzburg/
http://tranzit.org CALL FOR APPLICATIONS 2016 now open until 3 April 2016 Fellowships for Curators and Artists at Salzburg Summer Academy 2016 / Every summer, some 300 students from more than
PRISONER OF LOVE / Jan 26–Oct 27, 2019
https://mcachicago.org/Exhibitions/2019/Prisoner-Of-Love Deana Lawson, Sons of Cush, 2016. Ink-jet print mounted on Sintra; framed: 44 × 55 ¼ in. Courtesy of the artist and Rhona Hoffman Gallery. Love Is The Message, The Message Is







